Designers' favorite movie interiors
'The Philadelphia Story'
"I'd have to say the glorious rooms in 'The Philadelphia Story', so masterfully designed by Edwin B. Willis.
They're sophisticated, elegant, and brilliant in a very enlightened, very relaxed, very American way." —Jeffrey Bilhuber
"Gorgeous busts on pedestals, pelts draped across furniture, oil-burning chandeliers, and campaign furniture — as in, on an actual military campaign. Marcus Aurelius's bivouac in 'Gladiator' has enough neoclassical artifacts to make this girl weep." —Alexa Hampton
"One of my favorite locations is the living area in Casa Malaparte in 'Le Mépris.' There's hardly anything in the room — just an enormously long sofa and two large curvy Italian armchairs, all covered in Yves Klein — blue fabric with thick down cushions and heavily pleated skirts.
Bing: Movie interiors
It's minimal and bold, yet really comfortable and beachy in a very unique way." —Steven Sclaroff
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"In 'American Gigolo,' Julian Kaye (Richard Gere) has great taste. His Le Corbusier — meets — Art Deco apartment's sleek design was very cutting-edge for the '80s, and I would happily live in it today. With art piled against the walls and everyday objects strewn about, the rooms have a great lived-in feeling that's not precious, yet extremely sophisticated." —Trip Haenisch
"From the main house to the pool house to the sailboat to the 190 SL Mercedes convertible, I want everything in 'High Society!' —Lulu deKwiatkowski
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'Belle de Jour'
"Alongside the ravishing beauty of Catherine Deneuve in her prime and the classic fashions of Yves Saint Laurent, circa 1967, Séverine's apartment in 'Belle de Jour' is utterly Parisian — bourgeois luxe, but somehow innovative and fresh, too. Oh, yes, I could definitely live at Séverine's, s'il vous plaît!" —Danielle Colding
'Inside Daisy Clover'
"'Inside Daisy Clover' features a fabulous Neo-Regency house. The interiors are high Hollywood glamour: Georgian overdoors, glass mullion windows, acres of terrazzo floors, one klismos chair set perfectly against a wall. It's stylized, but it feels like a real home — at least in the curious world that I live in!" —Miles Redd
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